{"id":53,"date":"2019-12-22T15:15:38","date_gmt":"2019-12-22T14:15:38","guid":{"rendered":"http:\/\/romainbertheau.com\/?page_id=53"},"modified":"2026-10-02T04:57:40","modified_gmt":"2026-10-02T02:57:40","slug":"music","status":"publish","type":"page","link":"https:\/\/romainbertheau.com\/index.php\/music\/","title":{"rendered":"Music"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.5.3″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″][et_pb_column type=”1_2″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”||||||||” header_font=”||||||||” header_text_align=”center” custom_padding=”||0px|||” inline_fonts=”Kantumruy,Tillana,Times New Roman,Abhaya Libre”]<\/p>\n

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___________Discography<\/span><\/p>\n

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Automat:\u00a0\u00b10 Seiji Morimoto \/ Romain C. Bertheau<\/strong><\/a> (CD) 2025<\/span><\/p>\n

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scatterArchive: DARKNESS WITHIN<\/strong><\/span><\/a> (digital) 2024<\/span><\/h4>\n

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Ruego:\u00a0NIGHT AT TABOR <\/a><\/strong>(C-90 tape) 2024<\/span><\/span><\/span><\/h4>\n

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Antenna Non Grata: THE SCHUMANN RESONANCE<\/span><\/strong><\/a> (CD) 2024<\/span><\/span><\/h4>\n

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NUNC Records: ANATOMY OF A BIRD<\/span><\/strong><\/a> (C-30 tape) 2023 chosen by NTS Radio for the\u00a0 \u00a0 NTS Guide to: Contemporary Holy Minimalism<\/em><\/strong><\/a><\/span><\/span><\/span><\/h4>\n

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tmrw>: PAPYRUS OF ANI<\/strong><\/span>\u00a0(<\/span><\/a>C-60 chrome tape) 2020<\/span><\/a><\/span><\/h4>\n

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INVISIBLE CITY RECORDS: NINETEENTH DYNASTY<\/strong><\/span>\u00a0(CDr) 2020<\/a><\/span><\/h4>\n

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____________Discography as ThreadedDreams\u2122<\/span><\/h4>\n

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Ayanrecords: AVALANCHE<\/strong><\/a><\/span> (C-30 tape) 2024<\/span><\/h4>\n

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Illuminated Paths:\u00a0\uff32\uff25\uff23\uff21\uff2c\uff2c \/ \ud835\ude42\ud835\ude5a\ud835\ude63\ud835\ude5a\ud835\ude67\ud835\ude56\ud835\ude69\ud835\ude5e\ud835\ude6b\ud835\ude5a \ud835\ude4f\ud835\ude51<\/span><\/a>\u00a0<\/span><\/a><\/strong>(Cassette) 2022<\/span><\/span><\/h4>\n

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\u00a0___________ORGAN SEQUENCES series<\/span><\/span><\/p>\n

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DIY series in Berlin-Kreuzberg, specifically at Taborkirche, dedicated to the darkness, organ and experimental music.<\/span><\/h4>\n

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Played: Elena Kakaliagou, Su dance 110, Kink Gong, Anthony Pateras, Reinhold Friedl, the international nothing, Utku Tavil, Caterina de Nicola, Joke Lanz, Seijiro Murayama, Tizia Zimmermann, Bryan Eubanks, Jean-Luc Guionnet, Sholto Dobie, Quentin Tolimieri, Cedrik Fermont, Chris Pitsiokos, Austin Larkin, Biliana Voutchkova, Dylan Kerr, Ido Bukelman, Kris Limbach, Emilio Gordoa, Pablo Ulises Lienhard, Kamil Korolczuk, V\u00edz, Dan Peter Sundland, Tarufu, Rieko Okuda, Mizuki Ishikawa, Shun Momose, Jacek Chmiel, Auguste Vickunaite, Seiji Morimoto, Dan Kinzelman, Paolo Possidente, Benjamin Whitehill, Lottie Sebes, Marina Cyrino, Marcello S. Busato, SITBQ, Moo17, Matthias Koole, Jon Heilbron, Ignaz Schick, Isabel Anders, Marie Takahashi, Celine Voccia, Michele Anelli, Gina Lo, Ira Hadzic, Alexander Markvart, Sylvain Monchoc\u00e9, Page Swanson, Janneke van der Putten, Clara de Asis, Wanqian lin, Rebecca Lane, Andre Vida, Yu Chiao Yang, Alexandra Kopelyan, Simon Herody, Dirar Kalash, Frank, Hilary Jeffery, Laura.aLL, Chris Abrahams, Margaret Unknown, Gaile Griciute, Anthony Burr, Eyal Talmor, Stephen Flinn, Jung-Jae Kim, Julius Windisch, Lagno, Eliad Wagner, Erik Wong, Martial Frenzel, Maximillian Glass, Teresa Riemann, Duchamp, Xavier Lopez, Cecilia Xuetong Feng, Wei Kang Beh, Benjamin Nelson, Ayankoko, Desert Drone, Werner Dafeldecker, Adam Asnan, Kjell Bjorgeengen, Inga Margrete Aas, Andrea Giordano, Ingar Zach, Aimee Theriot, Li-Chin Li, Judith Hamann, Sofia Salvo, Chris Heenan, Niloofar Asghary, Axel Dorner, Ipek Odabasi, Claudius, SABIWA, kNiFeLoOp, Herv\u00e9 Boghossian \u2026<\/span><\/h4>\n

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\u00a0\u00a0<\/em>II<\/a>\u00a0 \u00a0\u00a0III\u00a0 \u00a0<\/a> IV<\/a>\u00a0 \u00a0\u00a0V\u00a0\u00a0<\/a>\u00a0\u00a0VI<\/a>\u00a0 \u00a0\u00a0VII\u00a0\u00a0<\/a>\u00a0\u00a0VIII\u00a0 \u00a0 \u00a0 \u00a0 <\/a><\/span><\/strong><\/h4>\n

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<\/span>\u00a0 \u00a0 \u00a0 \u00a0IX<\/a>\u00a0 \u00a0 \u00a0<\/span>X<\/a>\u00a0 \u00a0 \u00a0<\/span>XI<\/a><\/span><\/h4>\n

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\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 XII<\/a>\u00a0 \u00a0XIII<\/a>\u00a0 \u00a0XIV<\/a>\u00a0 \u00a0XV<\/a>\u00a0 \u00a0XVI<\/a>\u00a0 \u00a0XVII<\/a><\/strong><\/span><\/h4>\n

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<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0XVIII<\/a>\u00a0 \u00a0XIX<\/a>\u00a0 \u00a0XX<\/a>\u00a0 \u00a0XXI<\/a>\u00a0 \u00a0XXII<\/a>\u00a0\u00a0<\/span><\/span><\/p>\n

XXIII<\/a>\u00a0 \u00a0XXIV<\/a>\u00a0 \u00a0XXV<\/a>\u00a0 \u00a0XXVI<\/a><\/span><\/span><\/p>\n

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\u00a0xxvii<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 xxviii\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/a>xxxix<\/span>\u00a0 \u00a0\u00a0<\/a><\/p>\n

\u00a0 \u00a0 xxx<\/a><\/p>\n

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<\/span>XXXI<\/a>\u00a0 \u00a0 \u00a0XXXII<\/a>\u00a0 \u00a0 \u00a0 <\/span>XXXIII<\/a><\/p>\n

\u00a0 \u00a0 \u00a0XXXIV<\/a>\u00a0 \u00a0 \u00a0XXXV<\/a>\u00a0 \u00a0 XXXVI<\/a>\u00a0 \u00a0XXXVII<\/a><\/p>\n

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[et_pb_section fb_built=”1″ _builder_version=”4.5.3″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″][et_pb_column type=”1_2″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”3.27.4″ text_font=”||||||||” header_font=”||||||||” header_text_align=”center” custom_padding=”||0px|||” inline_fonts=”Kantumruy,Tillana,Times New Roman,Abhaya Libre”]   ___________Discography     \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Automat:\u00a0\u00b10 Seiji Morimoto \/ Romain C. Bertheau (CD) 2025 scatterArchive: DARKNESS WITHIN (digital) 2024 Ruego:\u00a0NIGHT AT TABOR […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-53","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/pages\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":95,"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/pages\/53\/revisions"}],"predecessor-version":[{"id":748,"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/pages\/53\/revisions\/748"}],"wp:attachment":[{"href":"https:\/\/romainbertheau.com\/index.php\/wp-json\/wp\/v2\/media?parent=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}